Monday 24 June 2013

Historical processes

Wet Plate Collodion.

The collodion process is an early photographic process, invented by Frederic Scott Archer. It was introduced in the 1850s and by the end of that decade it had almost entirely replaced the first practical photographic process, the daguerreotype. During the 1880s the collodion process, in turn, was largely replaced by gelatin dry plates—glass plates with a photographic emulsion of silver halides suspended in gelatin. The dry gelatin emulsion was not only more convenient but could be made much more sensitive, greatly reducing exposure times.



Collodion processes were capable of recording microscopically fine detail, so their use for some special purposes continued long after the advent of the gelatin dry plate. The wet plate collodion process was still in use in the printing industry in the 1960s for line and tone work (mostly printed material involving black type against a white background) as for large work it was much cheaper than gelatin film. One collodion process, the tintype, was still in limited use for casual portraiture by some itinerant and amusement park photographers as late as the 1930s, by which time tintypes were already regarded as quaintly old-fashioned.





Like a lot of the old processes this form of photography is making a revival with many photographers and artists experimenting and producing images by using this historic process.
Thanks to:
edrossphotography.com
www.wentennavarro.com


© Sean Wareing. 2013

Paper types.

In this session we explored different paper types with the same image printed on them, below is a list of the paper we explored with other examples.


  • Photo Rag, Bright White 310g
  • Canvas 400g
  • Photo Rag, book and album 220g
  • Photo Rag, Ultra smooth 305g
  • Bamboo 290g
  • Baryta FB 350g
  • Rice Paper.
  • Giclee.
  • Ilford fine art
On initial inspection all the prints seemed to be of a good quality until they were compared side by side.
The Photo Rag paper tended to suit the image more in this case a flowing stream, the tonal range was especially better on this kind of paper. The whites in the foaming of the flowing water didn't look too blown out as some of the others although I'm sure I would have chosen differently if the image subject was different such as a portrait or architectural image.
I've come to the understanding that not all images suit all paper types, and could be a costly experiment finding the right paper for the right image.

© Sean Wareing

Wednesday 12 June 2013

Specialist location support and research.

James Moy Specialist formula 1 photographer.

James Moy Photography Ltd is an award-winning Photographic Agency based near Silverstone Circuit in the UK with over 15 years photographic experience in the Formula One and automotive arena. 

James Moy himself started his photographic career in rallying and then worked his way through the ranks of Formula 3, BTCC, WRC and on to F1. Having worked for two of the largest motorsport photo agencies in the world he has a unique knowledge of exactly how to promote your brand, product or event through exciting and modern imagery. 




James Moy Photography have won many awards for their innovative and imaginative style of photos and are regularly featured in international and national news pages and publications. 

Some of our current clients include; Lamborghini, BMW, Toyota, Porsche, General Motors, Mercedes-Benz, Casio, Sahara Force India F1 Team, The Press Association, Lotus, Motorsport Vision Ltd, Coca Cola and numerous advertising agencies, PR companies and editorial publishers.


His work

In lots of ways James Moys images are in a similar vain to what I was striving to achieve.




In these shots the cars are moving at high speed from different directions making it difficult to focus on the subject. Of which I found difficult and demanding on my shoot.


 

The image below shows the speed but is from a creative and abstract angle which works with a focal point.




The next two images show the sport from another angle showing the assuming winner surrounded by media.
Shooting images from different view points and including the bigger picture gives a story and a more appealing set of images.



James Moy looks like he's found a comfortable genre in photography and grown his skills to suit and perfected it of which I'm striving to do although I don't think it will happen shooting planes. There are definite
similarities such as subject speed, surroundings and the difficulties with weather. It's certainly something I'll look into for the future.

My thoughts

I love these images they're  colourful an tightly cropped but still contain enough information to make a great image, the depth of field and focus is spot on. Something to aspire to.

Thanks to


https://www.google.co.uk

© Sean Wareing


Thursday 6 June 2013

Specialist location photography

Fighter Jet Photography at The Mach Loop.

This to me, has been the pinnacle of my photography career so far, photographing a fast jet at the Mach loop in Snowdonia. I have been to Snowdonia dozens of times since being a kid and marvelled at the beauty of its landscape. Also growing up I was always interested in aviation especially military jets and I attended lots of airshows up and down the country. With this history this shoot seemed the perfect thing to do. My aims were to capture a fast moving jet at low level, as close as I could possibly get and include some of the stunning landscape within the shot. I have been researching this kind of photography for a number of years now but never really had the best equipment for the job. Although my camera was OK, I needed a good quality zoom lens that will hopefully bag me that shot I'd seen so many times on the Internet. Eventually I managed to acquire a lens from my accountant who is a keen amateur photographer but with a lot more money than me.
So I have a camera, Lens and a location it was time to get packing.

Snowdonia is a national park and is situated in North Wales and is predominantly a mountainous region. The rugged terrain is perfect for military training for the Army and the RAF. The RAF use this region for practicing its low level flying, sometimes to as low as 100 ft. The aircraft that fly in this region are mainly Tornado's, Eurofighter Typhoon and the Hawk trainer jet, the American F15's can also be spotted at certain times of the year.
The particular location I was heading for is known as the Mach Loop, which is situated about 10 miles east of Dolgellau and is a mountain region of which the planes use as a sort of roundabout as you can see on the map below. My destination was CAD West which is located about 10 o'clock on the map.


This seems to be the most popular location because of the advanced warning and the bottleneck the planes have to negotiate as they fly past and down into the valley below.
Getting to the location isn't easy also. After parking my car in a nearby lay by I would then have to climb approximately 400 ft to a plateau over looking the valley below. On day 1 of two the weather forecast was mild but with overcast skies but the wind was quite chilly but the climb kept us warm, I say us because my 12 year old son wanted to come as well. The view was stunning all we had to do was wait.

The first arrival
There were several other photographers all staring North East and listening out for aircraft, then at approximately 11.15 am after waiting over an hour 2 planes arrive from a valley towards Dolgellau. I couldn't tell what they were at first until I pointed my camera at them and zoomed in. They were two Eurofighter Typhoons and I knew I didn't have long until they were right on us. I tried to focus on only one and follow it, with my focusing set to AI SERVO hopefully it will continue to focus on the jet as it fast approached me, I probably only had 10 seconds at the most to get as many shots as I could.

1/4000 sec, f5.0 , iso 400,  focal length 200mm


In this shot he was still some way off I was zoomed in at 200 mm, I could have zoomed in more but I would have risked losing him all together, keeping the field of view wide meant that I could track him for longer.




Now filling the frame at 200mm I kept him in my viewfinder, he's still high so there is no terrain to make a more interesting image. But I'm happy with the detail so the image stabiliser must have worked.




This is pretty much what I was out to achieve I'm still at 200 mm focal length but I've cropped a significant amount of the plane out of the image. Admittedly at this point I didn't have the time to be messing with the zoom and refocusing as I only had a fraction of a second. Still photographing at a steep angle I still have the 
overcast cloud as a background. All the same I'm happy with the overall composition and sharpness even the pilot and head up display is visible, shame about the reflection on the glass.





This was my final shot as the plane disappeared into the valley, I`m trying to keep the camera steady at this point as the plane gets smaller its hard keeping the plane in focus at this point with the lens being so heavy I didn't want the main focus to be on the trees in the distance of which I achieved. It has also made the composition and frame more interesting with the landscape. I also love the heat trail from the engines.

Day 2. The GR4 Tornado.

On day two I arrived at the location at 10:00 am to find the whole valley and hillside covered in cloud. I'm aware that fighter pilots won't fly below a certain altitude when there is low cloud, but according to the local weather forecast this was due to lift as the sun heated the air, it was a case of when as I only had a 2 hr. time slot because my wife and kids were waiting to be taken to the beach. 
I reached the summit sometime later with the mountains still covered in cloud although it was moving quite quickly with the morning breeze. By 11:00 am most of the cloud had burned of and I'd already heard the rumble of planes in the distance, I had one hour to get the shots I needed.

Here she comes!

I was one of probably twenty photographers on the ridge that morning waiting patiently for a jet to arrive and we wouldn't be disappointed. At 11:30 someone shouted out GR4!! I couldn't see a thing at first although I could hear it eventually I spotted the shadow of the plane crossing the valley floor from the direction of Machynlleth but I couldn't see the plane, I was looking too high, the Tornado was hugging the valley floor at about 150 feet a lot lower than the Typhoon on the previous day fortunatly I managed to get an early focus on the plane then followed it until it began to bank towards us and the valley then I pressed the shutter button.

1/2000 sec. f6.2  iso 400, focal length 160mm

1/2000 sec. f6.2  iso 400, focal length 160mm

Conscious of the previous days shoot and wanting to get the framing right I kept a shorter focal length. With the plane coming in lower it gave me a chance to get the landscape in the background.
Another drawback which I failed to mention earlier was the burst rate of my camera on continuous shutter was only 4 frames per second, which it did! For one second then the files would buffer for which seemed like minutes but was in reality about 2 which when taking pictures of fast jets is not acceptable. Probably my own fault in part for buying cheap memory cards with a slow write speed.

The Money shot!




I have to say when I reviewed my images later I was really pleased with this shot, I'd seen it so many times before on the internet and in publications it was great to replicate shots taken by Pro's. But I have to critique it like all good photographers and that is the cloudy haze, there was still quite a lot of moisture in the air giving a hazy background and i think it would have been a sharper picture later on in the day.





This has to be my second favorite of the day, still filling a large portion of the frame and with the rugged landscape behind 
it makes for a good image.

My thoughts.
I had an absolutely great time shooting the Location brief and could do this for a living, if it paid, but back to reality I think this type of photography is to specific and I will keep it as a pass time. Apart from my equipment and the weather letting me down I`m ready for the next visit. I'll hosting an exhibition in July and hope to include a couple of these shots. I think anyone that has an interest in aircraft and aviation would possibly buy them. I may submit one or two to the Lowfly website to see what they think. I`m also looking forward to seeing them in print.

Thanks to.

The Royal Air Force

www.lowflyingphotography.com

www.lowflymedia.com

Further research on this style of photography to follow.


Sean Wareing ©

Wednesday 5 June 2013

Photographic media

Limited Edition Prints.

I have included in Unit 23 a display on a set of limited edition prints I`ll be selling at my upcoming exhibition
I'm unable to disclose pricing for the benefit of this unit although the print profit would be minimal, taking into consideration traveling all the way to wales and back and that they are Limited editions I would hope to make a decent mark up. The Images were all taken around South West Snowdonia. The images have been processed with a painting style filter in Paintshop Pro X5






Sean Wareing 2013©

Angle of View

Here,s an example of angle of view taken of a lamp post from a low view point.



This shot was taken on a recent trip to Canterbury originally in colour I decided to change it to mono.



Here's another example of angle of view this time a church tower again in Canterbury.


Sean Wareing 2013 ©

Colour negatives.

A photographic negative is referred to as a piece of plastic film which has the image on. The negativity is caused when the image is taken where the light sensitive film is bleached or darkened where the light hits it the most. The final image is then projected by an enlarger onto photographic paper where the light process is reversed giving a positive image on the final print.


I`m in the process of using colour negative film with my 35 mm SLR and I'm hoping to include the results soon.

Thanks to:



Sean Wareing 2013 ©

Colour transparencies.

Colour transparency film comes in the form of a slide on which the image is developed, the film size can vary from 35 mm up to 8 x 10" sheet film. The image can then be loaded into a projector where it can be viewed by a large audience. The most common being 35 mm slide which is mounted in a card frame 2 x 2". Colour transparency film is also used in the movie industry so that it can be projected onto a large screen.
They produce a good quality Image with a high tonal range for each colour hence why its popular for professional photographers and movie makers alike.

NB.I have examples of the use of transparency film in my sketchbook.




Thanks to:




Sean Wareing 2013 


Tuesday 4 June 2013

Developing Personal Development Skills


My Career/Educational pathway.

I'm not sure yet on a definitive pathway with regards to my photography although I'm sure I want to get to the highest level achievable as regards to my educational pathway. I'm in no doubt I want to be a talked about photographer. I'm inspired by landscape images and would certainly pursue a career in that direction.

My strengths

  • Punctual
  • Helpful
  • committed
  • sympathetic
  • caring
  • good sense of humour
My weaknesses
  • Inpatient
  • Easily distracted
  • To critical
  • Don't take criticism well
  • Too Trusting
  • Just too nice
Generally I start the day with optimism and in a generally good mood, I'm never late for appointments or meetings and I'm not tolerant of people who are. I'm a kind, loving but yet reserved. I'm always willing to help others by giving advice or offering help, if I can't help I'll find someone who can. I love to have a joke and a laugh as much as possible when appropriate of course.
I'm so impatient I get giddy and want things done quickly, I hate criticism but its something I'll just have to get use to. I can be too nice sometimes which could lead to others taking advantage of my good nature. Apart from those little points I'm perfect! Ish.

Assessment of SWOT analysis.

I need to be more patient In the future, rushing things or being anxious is not good and can lead to stress, being easily distracted means taking my eye off the ball and could lead to missing crucial shots. I need to
be a bit more understanding whilst I or my work is being criticised  it may help to improve my work or myself as a person.

Future Plan

My personal skills.
  • Qualified Electrician
  • Management
  • Small business owner
  • Artistic
Skills needed
  • Foundation degree +
  • Extensive Photoshop Knowlege
Being a qualified electrician may help with setting up and installing lighting rigs for photo shoots or doing general repairs etc. Because I've managed my own electrical business for nearly 10 years now I know how a business is run financially and logistically and can cope with meeting customers and delivering their needs. The artistic side of me will help me with my education developing my photography portfolio. The foundation degree will hopefully springboard me to a professional level earning a good living for my wife and children is a high priority, having extensive Photoshop skills are I think a must nowadays if you want to express creativity.

My Life

I am part of a strong family bond with my wife and three beautiful children, I have a strong network of friends Not including Facebook, and we spend lots of time socialising and going on holiday together we all like similar interests and look forward to any occasion where we can get together and catch up on life.

My choices

  • My first and biggest and most positive decision was to join the Army at the age of 17 it had such a positive impact on my life giving me skills and a positive mature outlook on life.
  • My second was to go self employed after working for my father for 15 years, I needed to earn more money to support my family and to be my own boss.
  • And lastly My decision to go to college and study to be a photographer, I could't carry on re-wiring houses for the rest of my life, I wanted to earn money at something I was really passionate about.
Smart Targets.

My Action Plan.

Target                                                                                                        Date

Pass the L3 Photography course.                                                                  28/06/2013

Start the Photography Foundation degree course                                            15/09/2013

Get a part time job 2 days as Photographer in studio Etc.                                15/10/2013

Pass foundation degree                                                                                 28/06/2015

Degree top up possibly Tv and Film                                                              15/10/2015

Pass Tv and Film course                                                                              28/09/2015

Start career as a professional freelance photographer                                       28/09/2015

Until further notice.









Digital montage


Back to the eighties

My montage theme is based around my memories of the 1980's. The image is built up of iconic objects of the time. I started off with an image I shot a few weeks ago of a cloud scene and layered several images on top.



I included scanned images of an old passport, school tie and my wife's old school report from the mid eighties. I also included iconic web images sourced from the web. I moved the layers around to give the image depth and reduced the opacity on some of the objects. I've rotated and re sized some of the images to make it more dynamic. I struggled initially with the size of the web images and had to get them to a workable size. I added text to the montage keeping it simple but yet effective.



I gained inspiration and based my image around the image below.



Niel Duerden won two Gold medal awards at the OC Advertising Award stateside for the Wonka Ice Cream Van he created.
I love the vivid colours in this artwork. This would work well in a child's bedroom or a creche.

My thoughts.

I love the vivid colours in this image, it looks like a simple concept and I understand the principles but I think there is more to it than that,

Thanks to.
Further links to work...
Illustration links::
http://neilduerden.blogspot.com
http://www.neilduerden.com
http://www.illios.co.uk

© Sean Wareing

Tuesday 7 May 2013

Abstract Images.

Zooming.

By adjusting the focal length of your lens while the shutter is open gives some cool effects, if as in this case your shooting during the day when lighting levels are high you may want to close the aperture to compensate.


Shot at f 32.0, 1/4 sec. @ iso 200.


My thoughts.

I love the simplicity of these shots you never know what your results will be in this case a tree becomes an abstract piece of art worthy of any students bedsit wall.

© Sean Wareing 2013.

The Phelps Photo shoot!

A home studio shoot.

The story.

Back in late October 2012, I was contacted by a friend of mine, Chris, who`m had decided to start a health and fitness regime which would hopefully end up with him losing a substantial amount of body fat and gaining muscle as well. He had already set a date and targets for himself and asked weather i was interested in photographing him and providing finished printed images. I jumped at the chance as i needed some experience in this type of photography and we agreed on a date of 30th March 2013.

Planning.

I decided to research on some locations for the shoot including location shots but decided not to because of potential weather problems and Chris getting a little cold in the process. I rang around some studios in Manchester getting prices for studio hire. Eventually I decided to do the shoot at home, realising college had most of the equipment I would need. Experience in the college studios would give me confidence on lighting setups and the safe and correct use of the equipment. The only thing I didn't have was a suitable back drop.

Preparation.

On Thursday 28th March I signed out a flash head, stand, reflector and a soft box from the college. Still having no backdrop I decided to go to Leon`s Fabrics in Chorlton near Manchester to buy some fabric as a
back drop. Because I had already decided i was going to shoot High and Low key images I new that I would need black and white fabrics, the only problem was that most fabrics come in 2 meter widths, with my living room only measuring in at 3.5 meters anyway I'll have a job of squeezing every thing in if the stage was any wider. The only other thing I needed was spare batteries for my flashgun which I would be using to light up the white backdrop whilst shooting High key.

Studio setup.



This in a nutshell was the setup I used for the shoot although the width was narrower at home, the flash on the left was a camera flash with a diffuser set on full power mounted on a camera tripod pointing at a 45 degree angle to the backdrop. The strobe on the right had a large soft box as a modifier to soften and spread the light covering the model this will be set a couple of stops less than the flash covering the back drop. In this shoot I'll be using my Canon 500d with a Tamron 28-74mm f2.8 zoom lens In addition i have a Canon 450d with a Canon 50mm f1.8 prime lens. This Set up was for my first session at high key.

The Shoot.

The time had finally come, i'd had several chats with Chris during the 6 months prior to the shoot to make sure he was happy with his progress and that he still wanted to go ahead, in one of those conversations he'd asked if I would take some shots of his wife and daughter to which I had no problem with until it came to the group shots! They arrived on time and we chatted for 20 minutes or so just to get everyone relaxed, as well as me. Firstly we did some test shots to evaluate the lighting levels, coverage and direction.
My first images were of Chris wearing an open shirt in a catalogue style pose.


Shot at f6.3 , 1/200 sec,@  iso200


I was quite pleased with this shot, I like the way the light from the left hand flash spills over onto his shirt. The light from the soft box is quite subtle but yet brings out tone and detail.


Shot at f 8.0, 1/200 sec @ iso400
Although I've upped the iso to 400 I've closed the aperture by just over a stop the light is a little harsher but still retaining detail and tone in the image, this was also shot in mono by using a modified setting on my camera whereas it increases contrast and tonality. The vignetting in thew corners are an accident and are a product of the light on the left having a reduced spread of light. The top of the backdrop is also creeping in to the top of the shot so I will crop at a later date.

Low Key.

The following two shots were taken in low key by removing the left hand flash and changing the backdrop to black giving a Film Noir feel.

Shot at f 8.0, 1/200 sec. @ iso 200.



Shot at f 8.0, 1/200 sec, @ iso 200
These images work well and give a more extended black tonal range. the model is more defined against the backdrop, I was happy that there was little or no light spillage on the backdrop.

These next few images are some other shots taken on the day.




Squeezing all three into the shot wasn't easy hence the Portrait orientation.






My thoughts.
Considering it was my very first home studio shoot I was and the Phelps's were very pleased with my results, so pleased they've ordered 40 prints of various sizes up to A3 I gained a lot through working this shoot and will offer my services in this field if ever required I have only one issue though..I need a bigger lounge.

Thanks to-

The Manchester college ( Fielden Campus ) for the loan of their lighting equipment.
Chris, Sam and Jordan Phelps for allowing me to photograph them.

© Sean Wareing 2013





Health and safety.

COSHH

The control of harmful substances (COSHH) is a health and safety guideline for the protection of employees in the workplace where hazardous substances are present. As an employer you are responsible for the well being of yourself and employees, being aware of your surroundings and the various chemicals that are used and there effect on health is important. Understanding the effects of chemicals to humans can help you in the procedures you take in the event of an accident.

Harmful substances.

There are many substances that can be harmful to human health such as fumes, dust, chemicals such as cleaning fluids, solvents, paint and oils.

How may workers be harmed or exposed?

  • The breathing in of fumes, gases or dust.
  • Skin exposed to irritants and acidic substances.
  • Swallowing.
  • Contact with the eyes.
  • Puncture of the skin.

Exposure by breathing in.

Certain substances if breathed in can attack the nose, throat and lungs and can enter other parts of the body via the blood stream.

Exposure by skin contact.

Some substances damage the skin or pass through it entering the body damaging internal organs and bone.

Exposure by swallowing.

The transfer of chemicals from the hands to the mouth caused by not washing your hands after handling chemicals.

Exposure to the eyes.

Some substances produce vapours, gases or dust particles can damage the eyes, caustic fluid splashes can damage the eyes permanently.

Exposure by skin puncture.

The risk of skin puncture from sharp knives, and needles which can cause infections or blood poisoning.

European warning symbols.



New International warning signs.


Hazard check list.

  • Does any product you use have a danger label?
  • Does your process produce gas, dust or vapour?
  • Is the substance harmful to breath in?
  • Can the substance harm your skin?
  • Could harm come about in the way you use or produce something?
  • What are you going to do about it?
           - Use something else.
           - Use it in another safer way.
           - Control it to stop harm being caused.

Summary.

Health and safety is a very important consideration when working, especially if your working in different environments as a lot of photographers do, keeping safe and keeping your colleagues safe is paramount to a safe and successful business.

Thanks to -


© Sean Wareing 2013

            







Tuesday 30 April 2013

Abstract Photography.

John Rylands Abstract.


One of my favorite abstract images taken at the John Rylands library in Manchester, I love how the light pours in through the glass roof and the shadows showing off the angles of a modern extension to an old building.

© Sean Wareing 2013

Risk Assessment.

What is risk assessment?

A risk assessment is simply a careful examination of what, in your work, could cause harm to people, so that you can weigh up whether you have taken enough precautions or should do more to prevent harm. Workers and others have a right to be protected from harm caused by a failure to take reasonable control measures.


Five steps to risk assessment-



  1. Identify the hazards.
  2. Decide who may be harmed and how.
  3. Evaluate the risks and decide on precaution.
  4. Record your findings and implement them.
  5. Review your assessment and update if necessary. 
An example scenario- Working in a salon.

1. Identifying hazards.

Chemicals, hair dyes, hazardous solutions, tripping over cables, slipping on hair, water, spilt shampoo etc. Hot water, sharp scissors and razors.

2. Deciding who may be harmed and how.

Customers and staff being scalded from hot water, customers not given protective eye wear and gowns when using bleach, peroxide, dyes etc. Ingestion and contamination of chemicals by the public. providing adequate ventilation from inhaling chemical fumes. chance of electrocution from faulty electrical appliances.

3. Evaluate the risks and decide on precaution.

Provide protective gloves and eye wear etc. Good house keeping, keep hazardous chemicals locked away, provide adequate ventilation and lighting, PAT test electrical equipment annually and provide adequate training for staff.

4. Record your findings and implement them.

Keep a log of any potential hazards, if any hazards are found rectify the problem straight away or notify your employer as soon as possible and keep a log of faults or accidents.

5. Review your assessment and update if necessary.

Have regular checks of electrical equipment, remove any faulty equipment, have regular emergency lighting checks, keep chemicals tidy and with clearly visible labels. 

Risk assessments are important and we all do it subconsciously every day when at home or at work but people do get complacent and try to cut corners sometimes with fatal consequences
keeping a log and being aware will avoid costing you money or a life.


© Sean Wareing 2013

Documentary photography

The Manchester Marathon.

The Manchester Marathon was an ideal opportunity to submit as a documentary task, after all I wasn't doing anything better to do on a Sunday afternoon. Fortunately the marathon route passed through my hometown of Flixton. It also gave me an opportunity to capture a couple of images of a friend of mine Richard De Pol who was running for Macmillan cancer support raising over £700 in sponsorships.
Armed with my trusty Canon 500d with a Tamron 28-74mm zoom I headed off with family in tow the 200 yard walk to the rendevous point where Richard would receive vital lubrication from his wife.


It was by no means the brightest of days but ample light for shooting at reasonably fast shutter speeds. Making use of my 74 mm zoom and wide aperture.



I set my focusing mode to AI SERVO to keep the focus locked on the runners which were coming towards me.

I thought it was important to show spectators as well which is an important part of a sports event, in this case 
its my wife, Mrs De-pol, her children and my three, a crowd in its self.




I tried a few shots from a different view point and depth of field, I`m not sure some of these images are ok as I've chopped peoples feet off, but I suppose its inevitable.


I tried to get as close as I could to the action without getting mowed down.


Richard makes it to the 18 mile point and receives his vital lubrication!




 Patiently waiting in traffic and wondering what all the fuss is about.

I spent about 40 minutes on this shoot and did no post processing, i think documentary image should come straight from camera to show things in their truest light. I enjoyed the shoot as i felt under no pressure to get the shot quickly as there was ample opportunity to get the right shot.

© Sean Wareing 2013